01:090:292:H5
Index#: 10617
Professor Joseph Winters
Monday 10:20 AM - 1:20 PM
College Avenue
HC-E128
In this course, we will examine essays, novels, and films associated with existentialism, a tradition of thought and practice that underscores themes such as anguish, death, freedom, absurdity, and human meaning in a world where belief in god(s) has been challenged and/or rejected. In the process, we will explore a series of questions and concerns. What are the general features of human existence? How does human existence differ from the lives of non-human animals and what do humans share with non-human beings? If there are no solid, certain foundations for life, how are we to live well and responsibly with other people? What is the relationship between practicing freedom and confronting death, suffering, and what Albert Camus calls the absurd? With all of the changes and advancements throughout human history, why do we continue to run up against enduring problems, conundrums, and limitations? Why should we be studying existentialism at this present moment and how might it matter for our relationships and interactions in the world?
While pursuing the above questions, this course will invite students to think about these general themes in the face of political violence, racism, and sexism. We will end the course looking at people who have used existentialist ideas to interpret and resist various forms of domination and oppression. And throughout the class, we will ponder whether existentialism should leave us optimistic or pessimistic about the possibility of transforming our world for the better. In addition, we will contemplate whether a philosophy of existence requires us to reject religion and the sacred or re-imagine religious life and meaning.
Bio
Joseph Winters' research interests lie at the intersection of black religious thought, black studies, and critical theory. Among other things, his research and teaching examine the ways black literature and aesthetics develop alternative configurations of the sacred and profane, spirituality in the flesh, and secularity in response to the religious and theological underpinnings of anti-black violence and coloniality. His first book, Hope Draped in Black: Race, Melancholy, and the Agony of Progress was published by Duke University Press in 2016. The Disturbing Profane: Hip Hop, Blackness, and the Sacred (also with Duke Press) was published in August of 2025.
